to print is to press. to press is to impose. but to imprint—leaving a mark—is not invariably a choice. power operates this way as it replicates, reinforces, and settles into repetition.

lithographs is a movement study and performance that situates the body as palimpsest—pressed, imprinted, in flux. engaging the conceptual framework of the lithographic process, the work studies how power inscribes itself across time, flesh, and gesture.

the piece engages a score of ungovernable remains. reciprocity not as balance, but as leakage, exchange, affective drift. it proposes the body not as a fixed form, but as a site always in negotiation—subject to pressure, to refusal, to becoming something else. this work inhabits the spaces where marks degrade and the distortion of power becomes a site of inquiry.

lithographs unfolds as a choreographic score—a recursive field of sensation, sound, and body. it questions what remains once the imposed has worn away. what forms in the blotting, the misprint? in a world of highly surveilled bodies that are increasingly rendered legible for control, lithographs aims to engage in opacity, in the fragmentation, on the potential held within disruption. it is not a resolution—it is an excavation.