★ Cannonball Immersive Award Winner 2026 ★
“Bonkers & sublime... a trembling channel to the cosmic imbecile” - Alex Tatarsky
What does mysticism have to do with recess? Is quantum superposition the cause of your suffering? Do you really know your ABC’s?
Enter the psychotic portal of the primordial preschool prophet. Journey through timespace on the wings of a demented fractal, in search of the ancient origin of light. Why do things have holes? Why don’t we fund public education? Is the universe a human centipede? All life’s questions, answered! An epic work of social-political-cosmic commentary.
Endoscopic cameras, electrocution contraptions, dirt piles, and squeaking pigs await. The quantum-clown-electro-opera of the micro and macro-cosmos. Endure the orgy of ecstasy, agony, and neverending existence.
WHAT PEOPLE ARE SAYING:
“An extraordinary rising star of the Philadelphia Avant Garde”
“Watching their work brings you into another plane of existence”
“Spellbinding, boundary-crossing, haunting”
“This literally rewired my brain”
“Gloriously messy, insanely generous”
“Fearless, otherworldly, darkly whimsical”
“I fear that Mazel is a genius... ”
“Psychotic... brilliant... inspiring”
Cannonball is the largest hub of the Philadelphia Fringe Festival, championing a revolutionary artist-led model that prioritizes equity, experimentation, and community connection. Now in its sixth year, Cannonball presents more than 100 artists across five stages, representing nearly 30 percent of the overall Philadelphia Fringe Festival. From rebellious circus and delicious dance to fearless theater and activist art, Cannonball pushes the boundaries of live performance while creating a vibrant, artist-centered ecosystem for independent performance makers and adventurous audiences alike.
1400 N American St
Suite 100C
General Admission: $25
PWYC Options
1400 N American St
Suite 100C
General Admission: $25
PWYC Options
1400 N American St
Suite 100C
General Admission: $25
PWYC Options
Mazel is an experimental performer, artist, and educator in Philadelphia. They bend the bounds of clown, opera, noise, theatre, ritual, theology, text, and media. Musically, they have been compared to avant garde icons Nina Hagen, Bjork, and Kate Bush. They are frequently colliding the sacred and profane, the sublime and grotesque. GODHOLE is informed by 3 threads: Mazel’s work as an early childhood educator; Mazel’s background in speculative theology and Jewish mysticism; and Mazel’s amateur scientific interests in amoebas, particles, and quantum physics. The culmination is a masterfully entwined madness of science, mysticism, philosophy, and humanity.
Sarah Billings is a director, teaching artist, and theater maker based in Philadelphia. She is the founder and producing artistic director of Open Theater Workshop, a volunteer theater organization that brings together artists of different life experiences and different levels of experience in the theater, including none at all, to create ambitious productions through a deeply collaborative process. She is passionate about community projects that allow participants to surprise themselves with their own artistry. Director of The Alchemist's Comedy or Tragedy; The Dybbuk, or, Between Two Worlds (Open Theater Workshop); Esme's Last Seance; Frank Wedekind's Spring Awakening; The Red Drops; Edmonton (Sewer Rats Productions); A Midsummer Night's Dream (Penn Players) www.opentheaterworkshop.org
Contact the Fringe Festival Box Office for up to date accessibility information.
Nudity
Adult Language
Strobe/Flashing Lights
Audience Interaction
This event does not require masks to be worn