2026 Philly Fringe lineup just announced! FringeArts Members Presale on now. Tickets go on sale to the general public 7/17 at 10am.
The Space Between is a dance solo that investigates the connection between visibility and value. Choreographer and performer Allison Smith forefronts the play between contemporary dance aesthetic, street and club dance frameworks, and filmic visual principles; in that play, she considers how they mingle to form a synergetic balance, and how together they antithesize institutionalized and codified approaches to movement.
For her movement inspiration, Smith draws from her training in contemporary, popping, house, breaking, and hiphop. She maintains an activated presence through both loud and subtle movements, applying the principle that all volumes of movement are unquestionably significant. The outcast shadows and echoes of an act are just as meaningful as the act itself. Therefore, lighting and shadows are used as a means of storytelling, by illustrating the disassociation, masking, transparency, and materiality in the quest to feel valued.
In our culture, what typically gets seen, recognized, and rewarded? How does that affect our understanding of worth? Smith considers these questions as she both appeals to them and challenges them on her own journey of visibility and worth.
There is substance in both the significant and the neutral, the loud and the quiet, the assertive and the reserved, the fanciful and the natural, the filled and the empty–there is substance in the space between. Smith chooses to resist cultural expectations, emphasizing that her expression does not have to fit in a specific mold at any time. Everything is brought forward, her vulnerability leaving nothing behind and nothing hidden. Her movement bleeds, professing the value of every movement she executes.
2125 Chestnut Street
General Admission: $20
2125 Chestnut Street
General Admission: $20
Allison Smith (she/her) is a dance artist based in Philadelphia. She has trained in both westernized contemporary dance styles and street and club dance styles, and she desires to acknowledge and highlight why hip-hop’s presence is vital in concert dance. In her contemporary dance, Smith works to focus on breath, weight, power, release, rhythm, and risk; Smith honed these skills working closely with Momar Ndiaye, Eddie Taketa, and Abby Zbikowski while receiving a BFA in dance at The Ohio State University.
Smith also practices popping, hiphop, house, breaking, and locking. Her research within these styles follows an ambition of unmasking as means of revealing clarity, breadth, and storytelling. She has worked with notable practitioners in Philadelphia, such as Vince Johnson, Ricky “Glytch” Evans, Marcus “Epic” Tucker, CK Branche, Jerry Valme, and Alexis Curiel.
With a collection of excavated, embodied knowledge, Smith examines how contemporary and hiphop intertwine, interact, and relate to one another.
Smith is one half of a collaborative duo with Kayliani Sood, Jumper Cables, that co-creates and performs original dance works with live musicians. Their movement practice lives between the worlds of street and post modern dance, and works through dynamism and raw physicality to expand possibilities for femme bodies to exist as capacious, messy, and real. Jumper Cables has performed and set work in the Philadelphia Fringe Festival, Urban Movement Arts’ Flow State, Philadelphia Dance Projects’ DANCE UP CLOSE series, and St. Louis Contemporary Dance Festival. Their work has been featured in ThINKing Dance journal and Broad Street Review.
Contact the Fringe Festival Box Office for up to date accessibility information.
This event does not require masks to be worn