The 2026 Philadelphia Fringe Festival is on the way, stay tuned for more info!
Visit us at FringeArts.com for year-round programming.
TRAD is a theatrical tear-down of the modern phenomenon of trad—or traditional—wives and the associated Christian nationalist arsenal of beliefs, which also indulges our collective yearning for fantasies of escape. This trad wife is eternally rotund with her husband’s seed: What could shake the ripeness of her faith in this idyllic existence?!
POV: Your husband is on his way home from work. You’ve got seven buns on the counter and one more in the oven, all baked from scratch, waiting for him. The peaches are bursting on the branches of your homestead’s orchard, while below ground, something is nearing completion. You hear capital H-I-M whisper through the prairie grasses a song that melts your obstinate will, beckoning you to enter a wonderland of reliance and submission.
Philly Fringe's ONLY ALWAYS ALL clown, alt comedy, performance art, idiot, freaky sh*t hub. Curated by Sarah Knittel. Watched over by baby angels...and your MOM.
1417 N. 2nd Street
General Admission: $20
PWYC Options
1417 N. 2nd Street
General Admission: $20
PWYC Options
1417 N. 2nd Street
General Admission: $20
PWYC Options
Hannah Mitchell is an actor, theater-maker, and educator whose work springs from the improvisational arts of clown and bouffon. She is a founding member of the experimental performance collective CHILD, whose creative output “so insistently defies human logic” (Helen Shaw, The New Yorker), and of the clown company WüfPak. Her projects take inspiration from auctioneer chant, consciousness alteration, garlic, country music, local news, Greek tragedy, cyborgs, and trad wives to explore sincerity, subterranean desire, family systems, grief of epic proportions, and gender roles under capitalism. Hannah has performed at many venues around NYC, including The Public Theater, The Brick Theater, Park Ave Armory, Collapsable Hole, Lincoln Center, Life World, The Whitney Museum, New Ohio Theatre, HERE Arts Center, Target Margin Theater, and The Brooklyn Comedy Collective, among others. Regionally, her work has been seen at The Philadelphia Fringe Festival, Princeton University, and abroad at The Edinburgh Fringe Festival. She teaches clown classes at the Brooklyn Comedy Collective and independently in partnership with Local Grandma Theater Co.
Contact the Fringe Festival Box Office for up to date accessibility information.
Adult Language
Audience Interaction
Includes a brief graphic mention of suicide, death, and decomposition.
This event does not require masks to be worn